Category: Mysteries

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Literary Ashland – Conversation

This month’s edition of Literary Ashland turned out different than intended. Our planned guest couldn’t make and so Ed and I ended up having a fun conversation about writing, linguistics, melodrama, clues and everything in between. So enjoy this unscheduled and unrehearsed show. As Ed pointed out, the show is a clear sign that both of us had experience walking into a classroom unprepared.

[audioplayer file=”http://www.kskq.org/media/lashland/LA042216.mp3″ titles=”Literary Ashland Radio – a conversation”]
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Blog Tour: One Dead, Two To Go by Elena Hartwell

Book CoverWhat’s It About?

Private Investigator Edwina “Eddie Shoes” Schultz’s most recent job has her parked outside a seedy Bellingham hotel, photographing her quarry as he kisses his mistress goodbye. This is the last anyone will see of the woman. Her body is later found dumped in an abandoned building. Eddie’s client, Kendra Hallings, disappears soon after. Is Kendra in trouble too? Or is she the killer?

Eddie usually balks at cases requiring a gun, but she also hates to be stiffed for her fee. Before she knows it, she is knee-deep in dangerous company. It doesn’t help that her card-counting adrenaline-junkie of a mother has shown up on her doorstep fresh from being kicked out of Vegas. Chava is only sixteen years older than Eddie and sadly lacking in parenting skills. Her unique areas of expertise, however, prove to be helpful in ways Eddie can’t ignore. So Chava from tags along. Add the new homicide Detective Chance Parker, who happens to be Eddie’s ex, and Eddie’s got a case more frustrating and perilous with each tick of the clock.

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The Thriller as Melodrama

The Cast of Dudley Do-Right. (Wikipedia – Fair Use)

Why do people read detective stories? Edmund Wilson posed this question in a 1944 New Yorker essay. He went on to say that since Sherlock Holmes there hadn’t really been anything worthwhile published in that genre. He had nothing nice to say about Agatha Christie and his comment on Dashiell Hammett was this: “‘The Maltese Falcon’ … seems not much above those newspaper picture strips in which you follow from day to day the ups and downs of a strong-jawed hero and a hardboiled but beautiful adventuress.”

Wilson dismisses contemporary detective fiction as being a reaction to guilt and fear of the years between WWI and WWII. “Nobody seems guiltless, nobody seems safe; and then, suddenly, the murderer is spotted, and—relief!—he is not, after all, a person like you or me. He is a villain—known to the trade as George Gruesome—and he has been caught by an infallible Power, the supercilious and omniscient detective, who knows exactly how to fix the guilt.” Of course, detective fiction and mystery fiction in general has thrived since Wilson dismissed it as not worthy his time. Today, there are more sub-genres than ever.

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Blog Tour: Choice of Enemies by M. A. Richards

CHOICE OF ENEMIES - CoverWhat’s It About?

Light sweet crude is the mother’s milk of the Niger Delta. As the price for each barrel of oil rises on the international markets and the stakes for securing the black gold increase, a consortium of American oil companies and the Central Intelligence Agency plot to secure the flow of the crude. In Africa, though, plans unravel as quickly as cheap socks, and promises between partners have the lifespan of a mayfly.

Nathan Monsarrat, a retired CIA operative now Dean at a small college in Massachusetts, is visited by his former mentor at the Agency, who offers him a blunt choice: either travel to the Dark Continent to lay the groundwork for the coup d’état, or condemn the woman who saved his life to a brutal execution. Out of options, he returns to Africa, where he discovers that the Agency plans to reward his services with an oil soaked grave. Assisted by a coterie of new and old allies, including a beautiful vor with a thirst for power and a yeshiva bocher with a fondness for Armani suits, as well as his own sharp intelligence, considerable wit, and substantial charm, Nathan parries the Agency, circumvents the consortium, and exacts his own vengeance. In doing so, he learns that his choice of friends is as important as his choice of enemies.

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Guest Blog: Bryan Robinson on Writing Limestone Gumption

Bryan21-workI am the author of Limestone Gumption: A Brad Pope and Sisterfriends Mystery. To write this debut novel, I did a good deal of research. I first learned about the area that I wrote about from vacationing in the area and eventually buying a vacation home on the Suwannee River, where the novel is set. To get into the mindset of the novel, I read or re-read all of my favorite Southern novelists among whom are Pat Conroy, John Hart, Flannery O’Connor, Fannie Flagg, and Zora Neal Hurston, just to name a few. Plus, being a researcher by trade, I researched cave diving and actual cases of divers drowning in the caves. I listened and watched the people and customs of locals with the ardor of an anthropologist (Margaret Mead would’ve been my best friend). I read the history of the area, including a 1948 novel, Seraph on the Suwannee by famed novelist Zora Neal Hurston. I frequently kayaked the Suwannee, tubed down Itchtuknee Springs, and listened to locals’ tales about the history of the area. I read books about the Florida laws and dangers of underwater cave diving, conducted Internet research, and interviewed local expert dive outfitters about the technical aspects of their underwater treks.

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